As you might imagine, after last week’s arrival of 10,000 patterns — no joke, folks, it is 10,000 — one could probably surmise that I’ve been just a wee bit busy. It’s actually been like Christmas in May here, with all of the beautiful designs I’ve seen. I’m slowly working my way through them, as well as building another website, because hey, who’s a glutton for punishment? THIS GIRL.
I may have squealed a little bit when I came across this beauty. I’d imagine that there is a fair bit of handwork in it, but it’s glorious, nonetheless.
Isn’t it lovely? On that note, I’m off to bask in more patterns. Click here to shop. Have a great weekend.
I listed this cute pattern in the shop this morning. It’s Butterick 6879 and it’s adorable. I love View A, but can’t imagine doing all that bias tape trim. It’d be worth the work, but wow. This pattern is part of the “Susie Stephens” line from Butterick.
Susie Stephens, in case you didn’t know, is a line of sewing patterns designed by students at Stephens College, in Columbia, Missouri. (Fun fact: I grew up not far from there, and always thought of it as a rich kids school. But I digress.) At Stephens, they had a yearly fashion show done by the students. It was called “Susie Stephens.” It commonly had a theme, such as in 1952, where the them was “Campus Classics from the Classics,” and featured garments and millinery inspired by books such as Little Women, David Copperfield and Wuthering Heights. These garments were shown in fashion shows around the Midwest.
A 1947 article notes that the designs were fresh and adaptable, with rompers that had skirts to go over them, coats with enough volume to carry books underneath during the rainy season, and much more. On the day of the show, it was surmised that the garment district of St Louis must’ve emptied out and headed to Columbia, along with designer staff from Kansas City and New York. Budding designers were hired straight from these shows. The next day, the show was done again for the people of Columbia, where customers could choose the garment or the patterns, to take to their dressmaker for adaptations.
By 1950, Butterick had taken notice, and started their “Susie Stephens” line. This line was specifically created from the Stephens College students’ designs, and was advertised for teenagers. By 1952, they had printed 30 designs in the Susie Stephens line, but it seems to have waned in popularity after 1953, and disappeared completely after 1954. It’s worth taking a look at this cute line of patterns.
I came across this photo of an Alexander McQueen jacket (designed by Sarah Burton) in the November issue of Vogue, and it stopped me in my tracks. My husband thought I’d lost my mind as I showed him the seams and tried to figure out what was going on. The seam coming from under the arm was driving me crazy. Was it a dart? Was it a side seam? I couldn’t figure it out.
The bodice and waist are obviously two different pieces. If it was a seam, then I’d like to see how it was cut, because it makes no sense to me. It couldn’t be joining front to back because it ends at the top of the pocket. But I’ve also never seen a dart starting under the arm like that either. It does look like there is a side seam behind it, but that one doesn’t appear to be coming from under the arm.
I pretty much obsessed over figuring this out, then put it out on my Facebook page, to have my sewing friends weigh in. They agreed that it’s a dart, even though the placement isn’t like anything I’ve seen before — but I haven’t seen a lot of true couture garments up close, either. But then my friend and guru of all things sewing patterns (and sewing) weighed in. She said it’s a princess seam, or perhaps just a curved tailoring seam. It’s a seam, not a dart. She also said it’s a true pocket (some thought it was just a flap). And then she drew me out what the front would look like in the pattern. It’s in three pieces:
It makes a lot more sense to me now. The tailoring on this jacket is amazing, and the results are beautiful. I’m going to have to study more designs and marvel at the patternmaking. It seems to be an Alexander McQueen year for me, because I’ve basically watched all of his shows on YouTube during lockdown, and I really want to get his book, Savage Beauty (buy it here). Also, if you get a chance to watch the documentary about him, McQueen, on Amazon Prime, do it. His death was such a loss to the fashion community. I’d have loved to see what he would have done today.
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