I, like Cristobol Balenciaga, have a real thing about sleeves. Cool sleeves can really make an outfit. I love bell sleeves, batwing sleeves, Juliet sleeves, you name it. So when I saw this super cute 40s suit, I may have squealed a little bit. Look at those cuffs! They are just amazing. I’m imagining them in velvet, for an even more dramatic contrast.
But see the difference those cuffs make? I mean, it is a really, really nice suit. The details of princess seams and double breasted top are something you just wouldn’t see today, but those cuffs push the drama up considerably. It’s not necessarily something you’d see in a film noir, because you wouldn’t see the cuffs on camera (more on that another day), but they are definitely a look that is memorable.
What do you think? Do you love them, or would you prefer to stay away from all the buttons? Let me know. The pattern is available in the Etsy shop.
OK, so these aren’t as vintage as usual, but hey, it’s my blog and these are so amazing. I have NO idea what you’d call this style of pants, and I couldn’t even wear them (I see you, hips), but it reminds me so much of something Wendy or Lisa would wear when they were performing with Prince that they really caught my eye.
I mean seriously, what are they? It’s like jodphurs had a baby with the 80s and there you are. It’s all in the details here, and I really don’t know if anyone could actually wear them — perhaps they are just for models, but I can’t stop looking at them, and I wish I could sew well enough to make them, because I’d like to see them in person.
Lots of run on sentences today, but I’ve had too much caffeine so that’s probably where the problem is. What do you think? They’re for sale in the Etsy shop.
It’s been business as usual around here lately, which means crazy all the time. I’m down to watching the grandbabies only one day a week so I’ve been working more diligently at home. I seem to be permanently stuck here, which isn’t a bad thing for a homebody, but it’d be nice to get out a little bit for a movie once in a while. Problem is that although I got the COVID vaccine, I didn’t develop any antibodies because my cancer treatment has zapped my immune system, so that vaccines won’t work. Since I live in “I-Refuse-To-Wear-a-Mask-ville” Indiana, I am stuck until we get to herd immunity, which I figure will be roughly 2031. So here I am.
We’ve been watching Midsomer Murders, and when we are done, I have no idea what we will go to. If you have any suggestions from Britbox or Acorn, let me know, as we pretty much only watch British or Scottish television around here. We seem to be stuck on crime shows, though we’ve interspersed with Monarch of the Glen some time back and a random sitcom here and there.
So while I was listing new things in the shop, I came across this perplexing model by Valentino. I actually love the dress, though I rarely go sleeveless (meds make this fair redhead even more susceptible to the sun, and I will burn). So why is it that the sleeveless model is paired with a hat that is perfect for a winter in Siberia, and why is the long sleeved version paired with what looks like a cowboy hat? Are we being punked? Was someone having fun? Am I the only one to notice? Surely they didn’t expect that we wouldn’t see the accessories, even though the dress is amazing, right? Please, someone, help me to understand this.
I came across this pattern this week and just sighed. It’s so softly feminine. What a pretty look for both a wedding dress and a going away dress, back in the day. I imagine it in a soft gray, kind of like it’s shown in the long length, and maybe a pale blue in the shorter version. I can’t stop staring at it.
I question the lace on the collar and pockets in View 1. I think it’s a bridge too far. I questioned the pockets as well, until someone pointed out that it would hold a hankie. I suspect however, that as my mother would say, “they are just for show.” I think that with where they hit on the hip, anything you’d put in them would fall out. Skip the extra lace and the pockets, and get yourself a cute little bag to carry. It’s all you need. This type of dress doesn’t need the extra embellishments.
When people mention something is 70s does 30s, or 80s does 50s, for example, do you know what they mean? Fashion has a great way of repeating itself, as seen in this iconic scene from The Devil Wears Prada, where Miranda dresses Andy down like no other:
So when someone says 80s does 50s, they mean that it’s an 80s style, done in the vibe of the 50s. This is how I actually realized I loved vintage, because all of my 80s dresses were done in a 50s vibe, with a few 80s does 40s thrown in for good measure. I had a wonderful white peplum dress with red polka dots that was a particular favorite, which my ex also dumped coffee on during a five hour drive to Boca Raton for a wedding. Nothing like showing up with a huge coffee stain across you lap. But I digress.
This beautiful Bill Blass patter is a great example of 70s does 30s. The disco era is full of echoes from the 30s, with the beautifully cut bias maxi dresses, and this one is no exception. It also has a great tuxedo vibe, which is reminiscent of the Annie Hall look of the same time period. It’s a beautifully draped menswear inspired dress, and that is one hard thing to pull off. Also, because of the jacket, you can wear it in winter if you’re daring, and taking off that jacket would give you a great Grace Kelly “Rear Window” reveal vibe, seen here at :57, in her 50s does 30s top:
Well, maybe not that dramatic, but still — you’d catch everyone’s eye when that jacket comes off.
I love this pattern. Look at how many looks it makes. Princess seams are so flattering, and you can make this in so many styles that it’s almost a capsule wardrobe pattern for the mid-1950s. It lacks the huge full skirt so prevalent in those years, which makes for economy of fabric.
I imagine this pattern being loved by women who grew up in the Great Depression. They’d be looking for thrifty ideas to save them money, and here is a pattern that you can mix up to create a whole wardrobe of dresses from, that won’t break the bank on textiles. It’s a thrifty woman’s dream. Women of that era can squeeze a dime and make it bleed — my mother is a prime example.
Keep it less detailed for day wear, and dress up the fabrics and accessories for cocktail hour. The collar, cuffs and dickey are detachable. Lovely, isn’t it?
Do you have plans for the holiday weekend? We don’t, as usual, but that’s fine with me. Our neighbors will be shooting off fireworks way too late in the evening and driving our dogs crazy, but the weather is supposed to be nice so we will enjoy the outdoors during the day and hide with the dogs huddling in fear at night at all the booming around us.
So in honor of the holiday, I wanted to show you this flippy little sailor dress, which is perfect for the holiday weekend. The sleeves and skirt are flared, so it’s perfect for most shapes, and it’s quick to make too. Click here to buy.
Have a great weekend and stay safe with the explosives, please.
Yesterday was just one of those days. I usually use Sunday afternoons to do administrative stuff on the website, like update my records, add and delete links from the wiki, and tedious not-fun stuff like that. I think I sat in my office chair for four hours straight, just working on it. Ugh.
When I finally took a break, hubby asked me to drive him up to Walgreens. He’s currently not allowed to drive, because his defibrillator gave him a huge zap last week, and that takes away driving privileges for three months. I told him fine, as long as he went to my mom’s house with me afterward. Contrary to a lot of guys, he loves my mom, though they rib each other a LOT. Off we went to Walgreens. Halfway there (about a mile), I noticed that my battery light was on in the car. I’ve never seen it come on, but I’ve also never replaced the battery in the nine years I’ve had it, so I figured it was probably ready to be replaced. It was, because when I put the car into reverse to leave, it promptly died. As in that dreaded clickclickclickclickclick of death that you get when the battery is truly dead. Ugh.
Called my son. He was out of town with his girlfriend. Called our bestie. No answer. Texted one of our friends, no answer. No Uber in our town. So I resorted to the Buy Nothing group for our town on Facebook. If you’ve never participated, it’s great. You can offer stuff up to give away, request stuff, ask to borrow something or services, all kinds of things, but there can be no mention of money. Everything is totally free. So, for the first time ever, I posted a request to see if someone could rescue us, and man, did she come through! Showed up five minutes later, with her MECHANIC husband. They jumped us, he gave us some suggestions, and we got his card. All for free. And they were great people. Off we drove to Auto Zone, where we were waited on by a guy who I’m pretty sure was a robot, because he had the most flat affect of anyone I’ve ever seen, and he simply would not engage in any type of conversation. Their tester was broke, so I just paid for a battery, which Mr. Robot installed for me. (Husband had gone in to talk to them originally, and I sat in the very roughly idling car, which promptly died after a few minutes. That battery was DEAD dead.)
Well, the battery light is still on, so I’m thinking now that it’s probably the alternator, which sucks because yeah, more money. Ugh. But we do have a backup car so I’ll be driving that till I can get the main car looked at. Never did get my husband over to my mom’s, but I unwound with her by doing a new puzzle. If you’ve never bought a puzzle from Puzzle Warehouse, do. We found that it really helps with my widowed, elderly mom’s anxiety and it’s fun too. When I order from them, I get the puzzle the next day! They have excellent customer service too. And no, I do not get a kickback from them for this. I just really like the company and what they have to offer.
This was definitely a day to put a bag over my head and hide, so of course I thought of this amazing Sew-Knit-N-Stretch pattern from the 60s. It’s perfect for those days where you just don’t want to interact, or when you want people to stare, or when you want to impersonate a Japanese beetle in your tree. I’ve truly never seen anything like it before, though I did have a gorgeous makeup cape at one point. If you love this, and you want to help a girl out with an alternator, you can purchase it in my shop here.
OK, so it’s not really vintage and I’m late to the game today, but I got up at 4am the last two days, to watch two wild toddlers, so I need a bit of a break here. Nonetheless, I’m working through listing the 10,000 patterns I got a couple of weeks ago, and came across this one.
It’s Vogue 2940, by Anna Sui. Anna Sui is a very underrated designer who you don’t hear a lot about, but she has made some gorgeous stuff, including this little beauty from 2007. It’s got a very Pride & Prejudice vibe to it, and considering that the Kiera Knightley version of the movie came out in 2005, I guess that’s why. The regency vibe is unmistakable, but it would fit in perfectly for lovers (like myself) of Gunne Sax and cottagecore garments. It also may just be the perfect summer dress, as I could see it going from shopping to a wedding to church, and just about everywhere in between.
So forgive me if this one isn’t actually vintage. It’s not even quite listed in the shop yet, though it should be this weekend. It’s not even my picture. But I do feel that it is too lovely to ignore. What do you think?
If you don’t follow Stephanie Canada on YouTube, why not? She’s a fellow weirdling and really funny, and is a vintage sewing fan as well. Her most recent video featured a dress I shared on the Vintage Sewing Patterns Nerds group on Facebook. It’s the 50s one that she says you’d wear so your friends can drag you around by the handle if you get too drunk at a party. (See what I mean?) Anyway, the video features weird patterns over the years, and there are some doozies. Keep in mind that one of the New York ones she mentions in the video is available in my shop, and I’ve had at least one other over the years proving, of course, what I’ve always said: that there is a person for every pattern.
A couple of others that I shared in Stephanie’s comments: